1.8 Persuading with Style and Tone
Learning Objectives
Recognize effective style in writing.
Define diction.
Define syntax.
Define figurative language.
Name seventeen types of figurative language and give an example of each.
Define tone.
Explain how use of tone can help a writer make a point.
Style
StyleThe way in which a writer expresses ideas through diction, syntax, and figurative language. is the way in which a writer expresses ideas. Just as the pianist who practices scales, chords, and arpeggios eventually develops a distinctive style, the writer who practices diction, syntax, and figurative language eventually creates an authentic voice as well.
You do not have to seek esoteric words when plain words will do nor rely on a thesaurus to find long words when short ones will do. In considering diction, determine what words are appropriate for making your point. Sometimes, formal diction achieves the desired effect:
The candidate completed her examination, submitted it to the procurator, and gave us competitors a mischievous smile when she exited the lecture hall.
Other times informal diction serves the purpose:
The hot shot dotted the last “i,” forked it over to the watchdog, and gave us all a smirk before lighting out.
Yet often neutral diction, neither too formal nor too informal, works best:
The applicant finished her exam, gave it to the proctor, and offered us hopefuls a grin as she left the room.
A neutral style’s advantage is that it will not distract the reader from your point, which, after all, is your reason for writing.
SyntaxSentence structure. refers to the rules and patterns that govern sentence structure—how words work together to form sentences to achieve an effect. Long, complex sentences tend to be formal and slow the pace. Short, simple sentences tend to be informal and give the sense of spoken language. The following paragraph, with its long sentences, has the feel of formality.
In Louis Malle’s film, Souffle au Coeur, a bourgeois couple gasp, and houseguests are horrified, as the couple’s two prankish sons cut an original painting from its frame. The boys have defiled the most elevated of all landscape painters, Jean Baptiste Camille Corot, who, in his day, endowed nature with lofty and ennobling themes. Endorsed by the Paris Salon, Corot’s paintings seem ultimately to belong in proper middle-class French living rooms, where the dangers and irrationality of modern life dare not intrude and where the spell of antique lyricism and tranquility reigns, qualities of art obviously lost on the sons.
The formality evokes the “lofty and ennobling” themes of Corot’s painting, which creates an effective tension with the boys’ prank. The next paragraph, with its short sentences, is more conversational and has the feel of informality.
In Louis Malle’s film, Souffle au Coeur, a bourgeois couple gasp as their two prankish sons cut an original painting from its frame. The houseguests are horrified. The boys have defiled the most elevated of all landscape painters. In his day, Corot endowed nature with lofty and ennobling themes. The Paris Salon endorsed his paintings. Corot’s paintings seem to belong in proper middle-class French living rooms. Here, the dangers and irrationality of modern life dare not intrude. The spell of antique lyricism and tranquility reigns. These qualities of Corot’s art are obviously lost on the boys.
Figurative languageLanguage that goes beyond the literal meaning of words to endow the subject with fresh insights. appeals to the imagination, using words emblematically, rather than literally, to heighten an effect or to help us understand a person, place, or concept in a new way. Writers use figurative language to enliven or clarify a particular sentence or to express universal themes on sensory levels. Figurative language includes literary devices such as imagery, irony, similes, metaphors, analogies, allegories, personification, symbols, allusion, hyperbole, understatements, puns, alliteration, slang, jargon, idioms, and euphemisms, which are defined as follows:
ImageryWords that create a picture or a sensation in the reader’s mind. creates pictures with words that stir our minds and emotions. An image can communicate a point more effectively than several pages of explication. It may be as pungent as Hart Crane’s “burnt match skating in a urinal” in The Bridge or as psychologically penetrating as George Orwell’s description of a dying elephant shot in British-ruled Burma: “The thick blood welled out of him like red velvet.”
IronyThe use of a word or phrase that means the opposite of what it says literally. is the use of a word or phrase that means the opposite of what it says literally. For example, a coworker might ironically refer to a tyrannical boss as a “sweetheart.” In the following passage from Innocents Abroad, Mark Twain complains about the ignorance of the people of Europe, but we understand that he is being ironic; he is really twitting the Americans’ ignorance, including his own:
The people of those foreign countries are very, very ignorant.…In Paris they just simply opened their eyes and stared when we spoke to them in French! We never did succeed in making those idiots understand their own language. One of our passengers said to a shopkeeper, in reference to a proposed return to buy a pair of gloves, “Allong restay trankeel—maybe ve coom Moonday”; and would you believe it, that shopkeeper, a born Frenchman, had to ask what it was that had been said.
A simileA comparison using the connective like or as. is a comparison using the connective like or as. In “The Death of Paret,” about a boxing match between Emile Griffith and Benny Paret, Norman Mailer describes Paret’s reaction to eighteen right-hand punches in a row: “He went down more slowly than any fighter had ever gone down, he went down like a large ship that turns on end and slides second by second into its grave. As he went down, the sound of Griffith’s punches echoed in the mind like a heavy ax in the distance chopping into a wet log.”
A metaphorA nonliteral comparison that does not use like or as but that presents one thing as another. juxtaposes two things so that one thing is seen in terms of the other. In “The Library of Babel” by Jorge Luis Borges, the Library is a metaphor for the interminable, infinite universe.
An analogyA comparison based on a resemblance of some aspect of examples that are otherwise not alike. is a comparison based on a resemblance of some aspect of examples that are otherwise not alike. Analogies often clarify the nature of a subject. About his ability to dance, Leonard Pitts wrote, “I am to dancing what Roseanne is to singing and Donald Duck to motivational speeches.” Aptitude tests often present analogies as problems to solve by filling in the blank, such as _________: communication :: weapon : fighting. When two examples are alike in pertinent ways, we say they are analogous.
An allegoryA fictitious story intended to represent an idea of moral, social, or political significance., often defined as an extended metaphor, is a fictitious story in which abstract ideas are made concrete for the purpose of communicating meaning that has moral, political, or social significance. In George Orwell’s Animal Farm, the animals and farmyard skirmishes can be seen allegorically. For example, the pig, Old Major, embodies Stalin seizing power. Through allegory, Orwell universalizes his point beyond what might have been possible, had he written an essay condemning the inhumane excesses of Stalinist Russia.
PersonificationThe presentation of a nonhuman thing as human. endows something inanimate or abstract with human characteristics, such as emotions, manners, and speech. Lyndon B. Johnson personifies America in an address to the nation after the assassination of Martin Luther King, Jr.: “Once again, the heart of America is heavy.” By saying that a country—America—has a heart, Johnson captures the impact of King’s assassination on Americans.
A symbolAn object that stands for something else, usually an abstraction. (or emblem, cipher, or sign) is something, usually a concrete object, that stands for something else, usually an abstraction, such as an American flag to represent liberty or a wedding ring to represent marriage. A symbol can be explicit and brief, like the white lilies signifying purity in the center of Simone Martini’s painting Annunciation with Two Saints
(https://en.wikipedia.org/wiki/File:Simone_Martini__The_Annunciation_and_Two_Saints.JPG).
A symbol also can be elaborate and lingering. The white whale in Herman’s Melville’s Moby Dick, for example, represents different things to different characters in the novel: a malevolent force to Captain Ahab, marketable merchandise to the first mate Starbuck, and something beyond conscious understanding to the storyteller Ishmael.
An allusionA reference to a familiar person, place, or thing from literature, history, or art. is an explicit or indirect reference to a person, place, event, or thing, often a familiar detail from history, literature, or a work of art. In “About Men” Gretel Ehrlich alludes to Robert Redford’s stoical character in the film Electric Horseman to describe the uncomplaining nature of cowboys. Find the link here at http://downloads.flatworldknowledge.com/hudson/hudson_1_0-AboutMen.pdf.
Writers also may use hyperboleExaggerated language., in which statements are exaggerated to create emphasis and impose a point of view. Humorist Dave Barry overstates the resilience of household roaches when he says, “Roaches love poisonous chemicals. They’ll often gather under the sink late at night and lick the residue off the Black Flag can. The more chemicals you spray, the more roaches you attract.”
The opposite of hyperbole is understatementLanguage that attributes less importance to a thing than it deserves., in which something is spoken of as less important or serious than it is. On redecorating a kitchen, Dave Barry understates the process: “All that remains is for you to take out the old appliances and put in new ones according to your plan! And put in the new floor! And cabinets! And change the wiring and plumbing all around! Let me know how it goes.”
A punA play on words that sound alike or on a word with more than one meaning. is a play on words, either different senses of the same word or a similar sense or sound of different words. In Shakespeare’s Romeo and Juliet, Romeo and Mercutio often exchange puns. In the following interchange, Romeo makes a pun when he uses the word “sole” to refer to Mercutio’s shoes and then to his own “soul.”
Mercutio: Nay, gentle Romeo, we must have you dance.
Romeo: Not I, believe me. You have dancing shoes
With nimble soles; I have a soul of lead
So stakes me to the ground I cannot move. (1.4.13–16)
AlliterationThe use of words in succession that begin with the same sound. is the use of words in succession that begin with the same sound. “Peter Piper picked a peck of pickled peppers” is an alliteration. Alliteration is a popular marketing device because it makes brand names such as Coca-Cola and Krispy Kreme memorable. Poets use alliteration for various reasons. In Shakespeare’s A Midsummer Night’s Dream, the character Quince uses it to comic effect: “Whereat with blade—with bloody blameful blade—he bravely broached his bloody boiling breast” (5.1.145–46).
SlangInformal, nonstandard language that often passes out of fashion. is nonstandard vocabulary known and used by a particular set or class that may come in and out of vogue or pass into legitimate speech. In Zora Neale Hurston’s “Glossary of Harlem Slang,” the word peckerwood is slang for a poor and unloved class of Southern whites, and stormbuzzard is slang for a shiftless, homeless character. Often, the use of slang conveys the speaker’s attitude toward the person or object being described.
JargonTechnical vocabulary, understood and used primarily by specific groups of people. is a hybrid, and often obscure, technical vocabulary peculiar to certain trades or professions. For example, the term voir dire is French, meaning “to see” and “to speak,” but in the legal profession it refers to the questioning of potential jurors. An information technology specialist in the 1960s may have used the acronym WYSIWYG, pronounced “wizzy-wig,” which means “what you see is what you get,” a reference to the user-friendliness of a computer. Jargon, while useful in communicating with specialists, often excludes a general audience. Still, it can serve a creative purpose: Anthony Burgess makes effective use of jargon in A Clockwork Orange, narrated in the main characters’ language of “Nadsat.”
An idiomAn expression in which the words mean something other than their collective literal meaning. is an expression in which particular words together have a meaning that is different from the dictionary definitions of each individual word. For example, if you have “an ace in the hole,” you probably have neither an ace nor a hole, much less one in the other. But you do have something that other people are not aware of and that you can use to your advantage when the time is right.
A euphemismAn expression used in place of one that may be offensive or unpleasant. substitutes an acceptable, or inoffensive, expression in place of one that may offend or suggest unpleasantness. In Monty Python’s “Dead Parrot” sketch, a British character at a pet shop uses several euphemisms for death (https://www.dailymotion.com/video/x2hwqnp).
You will decide how to use diction, syntax, and figurative language in your writing, but keep in mind that style alone will not make critical readers sit up and pay attention. Effective stylistic strategies serve a purpose—to help you make your point. According to Kurt Vonnegut, as essential and seductive as style is, you must have something to say in order to engage your audience.
If you scribble your thoughts any which way, your readers will surely feel that you care nothing about them. They will mark you down as an egomaniac or a chowderhead—or worse, they will stop reading you. The most damning revelation you can make about yourself is that you do not know what is interesting and what is not. Don’t you yourself like or dislike writers mainly for what they choose to show you or make you think about? Did you ever admire an empty-headed writer for his or her mastery of the language? No.
Tone
As attentive listeners, we are strongly influenced by one’s tone of voice—friendly or cool, sincere or sarcastic, teasing or serious. Likewise, as critical readers, we decide fairly quickly whether the tone of a piece is comic or solemn, lighthearted or didactic. ToneThe mood or emotion conveyed by a piece of writing. is the mood or emotion a piece of writing conveys. Like style, an effective tone can help you communicate your point.
In discerning the tone of a piece, we look for language that is formal or informal, straightforward or figurative, and vocabulary that is common or special such as jargon, slang, and euphemisms. Professor Paul Levitt’s tone is indignant as he weighs the consequences of low academic standards and grade inflation in an article titled “Gradeoholics, Now’s the Time to Kick the Habit.”
The explanation that high grades result because faculty, in grading student writing, are more interested in information than in a paper’s structure or style simply won’t wash. A paper that’s a list of facts without benefit of form is no better than a laundry list. If faculty don’t insist that students exercise some critical judgment in fashioning a paper—that is, by choosing an appropriate place at which to start, by ranking facts in some reasonable order of importance, and by showing through analysis or argument that they understand the importance of those facts—then they might as well have students jettison the essay and construct a simple outline. At least in designing an outline, the students might learn something about subordination.
Concept Check
Experiment with Style and Tone
The following two versions of the Declaration of Independence exemplify different styles and tones. They were written for different purposes and addressed to different audiences. Each style suits the writer’s goals. For example, Thomas Jefferson was persuading his fellow colonists and citizens of the world of the rightness of independence. H. L. Mencken was entertaining his readers with a parody while making a point about the American language. Compare the differences in the two passages’ style and tone.
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain inalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed. That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or abolish it, and to institute a new Government, laying its foundation on such principles, and organizing its powers in such form, as to them shall seem likely to effect their safety and happiness.
—Thomas Jefferson
When things get so balled up that people of a country got to cut loose from some other country, and go it on their own hook, without asking no permission from nobody, excepting maybe God Almighty, then they ought to let everybody know why they done it, so that everybody can see they are not trying to put nothing over on nobody.
All we got to say on this proposition is this: first, me and you is as good as anybody else, and maybe a damn sight better; second, nobody ain’t got no right to take away none of our rights; third, every man has got a right to live, to come and go as he pleases, and to have a good time whichever way he likes, so long as he don’t interfere with nobody else. That any government that don’t give a man them rights ain’t worth a damn; also, people ought to choose the kind of government they want themselves, and nobody else ought to have no say in the matter. That whenever any government don’t do this, then the people have got a right to give it the bum’s rush and put in one that will take care of their interests.
Key Takeaways
A writer’s style reinforces his or her ideas.
A writer’s style is expressed through diction, syntax, and figurative language.
Tone is the mood or emotion conveyed by a piece of writing.
Writers use tone to help them make their points.